A couple of months ago I was looking for a movie to watch on TV and decided to check the Free On-Demand offerings that appear on Channel 508.
I couldn’t believe my eyes when Casablanca popped up. And then I said to myself, “You’ve seen this movie at least ten times – why bother?”
That thought lasted about six seconds and then, there I was, watching Casablanca again. Afterwards I did some research and found that a book (now considered a classic) had been written about the movie.
The book is titled, Round Up the Usual Suspects: The Making of Casablanca – Bogart, Bergman and World War II, written by Aljean Harmetz, published in 1992. I found it at the New York public library.
The author has done an incredible amount of research that’s delivered with wit and style. I read this 402-page tome twice: once for an overall read, and second to record tidbits of unusual and offbeat info – much of which I had never read before. Out of respect for Harmetz I did no editing except for a “Comment” now and then. Let’s have some fun!
THE PRESENT Casablanca is still so popular it is shown during the week of final exams at Harvard University. Comment: that’s 75 years after it officially opened – unbelievable.
THE OPENING Casablanca opened at one theater in New York on Thanksgiving Day, November 26, 1942, to take advantage of the fact that American troops had landed in North Africa and the city of Casablanca was in the headlines.
THE RESPONSE In the book, Howard Koch, one of the movie’s three main screenwriters says, “A woman called me up a couple of weeks ago and said, ‘I tracked you down because I had to tell you that I’ve just seen Casablanca for the forty-sixth time, and it means more to me than anything in my life’.” Comment: now I don’t feel guilty about watching Casablanca so often.
FIRST IT WAS A PLAY – THEN A MOVIE: The movie Casablanca was based on a play by Murray Burnett and Joan Alison titled Everybody Comes to Rick’s and it was purchased for $20,000 by Irene Lee for Warner’s. “She was the one who assigned us to write it. And she has never been acknowledged,” says Julius Epstein, one of the three screenwriters who got credit for turning Everybody Comes to Rick’s into a movie.
WHAT IS A MOVIE SET LIKE? A movie set can be compared to a cruise ship, a desert island, or a long coach journey in an eighteenth century novel. The actors are marooned together and must make it through the days as well as they can. At best, a burst of emotion in front of the camera is followed by an hour of waiting. At worst, there is nothing but tedium. Alliances spring up. So do animosities. When the movie is over, the castaways usually disappear into their private lives as if they had never met.
HUMPHREY BOGART (Rick Blaine)
Humphrey Bogart and Ingrid Bergman
UPDATE: The lovely China Machado passed away in late 2016 (see our blog -- http://www.myadea.com/blogs/blog/a-non-caucasian-model-breaks-through)
Shaun Nelson-Henrick TO BE CONTINUED NEXT WEEK
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I have always been intrigued by the idea of flying around the world in a private jet to check off must-see spots on one’s bucket list. However, when I’ve received brochures about this type of travel the info is usually in the form of descriptive copy and photos of the tours. For example, the number of passengers per tour, how many days each tour takes, where the tour goes, what one will experience, and finally, the cost per person.
There was an enormous amount of planning, organizing and cash outlay for the royal tour of Prince Harry and his lovely wife. For example, there were 76 engagements and 39 official outfits for a wardrobe estimated at 118,000 in British Pound sterling (or $150,478 in US currency. (I did the conversion so if it’s wrong – which I doubt – you can blame me.)
In January, there was a lot of talk on the fashion scene when Karl Lagerfeld missed the Chanel Haute Couture show in Paris. A haute couture show is the show of the year. It is an opportunity for a brand to showcase the best they have to offer, not only in design and artistic abilities but in terms of craftsmanship with many details (if not all) completely done by hand.
We use Italian lingerie sizing for our bodywear and items tend to run small.
Because of the body-hugging nature of the fabric and our body conscious fit most women prefer to wear our layering tops as under-layers. If you are inclined to wear them on their own we suggest you size up. Please email us or give us a call if you have questions about your sizing. We're happy to help you get it right.
Relaxed fit. Wear alone or over any of our layering tees or camisoles.
Please email us or give us a call if you have questions about your sizing. We're happy to help you get it right.
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